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Halpern SS20 backstage at London Fashion Week. (Photo: Corey Tenold for Vogue.com)
At a time when FOGO is the new FOMO, and we pass on drinks to stay home and watch Netflix, Michael Halpern’s dazzling eveningwear truly tempts us to reconnect with those club promoters we used to know.
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Marc Jacobs SS20 (Photo: theimpression.com)
This fashion season, there was a clear yearning for old New York, underpinned by emotive nostalgic references. From Susan Alexandra’s Bat Mitzvah theme to Marc Jacobs’s tearful 9/11 tribute, the past held the most power.
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Showtime at the Apollo: Hilfiger’s FW19 show in Harlem. (Photo: fashionista.com)
The contrasts between Tommy Hilfiger’s show at Apollo Theater in Harlem and the Pyer Moss show at King’s Theater in Flatbush, Brooklyn, pose a question: is there a ‘right’ way to explore and celebrate racial narratives on the runway?
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Photo: nytimes.com/Dina Litovsky
Gritty and glamorous, and complete with nameplate chains, Beckett Fogg and Piotrek Panszczyk’s latest collection for Area will appeal to hard-hustling urban princesses everywhere…
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Khaite SS20 (Photo: Corey Tenold for vogue.com)
Synonymous with luxurious staples, an apparent pivot for the New York-based brand for Spring 2020 is perhaps not as surprising as one first might think…
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Helmut Lang SS20 (Photo: the impression.com)
Appealing to the Lang faithful while taking the brand forward is a fine line to tread, but Thomas and Cawson may have succeeded…
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Christian Siriano SS20
“Interestingly, his best pieces look European, bringing just the right hint of romance, and flirtation with the avant-garde, to New York.”
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Dolce & Gabbana Alta Moda (Photo: vogue.com)
There’s more to fashion than evolution. With its irreverence for modernity, Italy, and D&G, will always have a lot to offer…
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Photo: vogue.com
There’s a magic ratio that if followed, creates commercial creations that retain fashion credibility. Mr Giambattista Valli has it.
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Photo: theimpression.com
Daniel Roseberry’s brilliant debut show challenges all notions of what a good couture creative director looks like on paper.
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Surprisingly, you won’t find Valentino or Givenchy in this list; some of the most interesting collections in Paris this season were delivered by other old and new talents…
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From Etro to Attico, Anabel Maldonado outlines how the best presentations at Milan Fashion Week FW19 adhere to carefully considered contrasts, and explores the science of good style…
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Photo: theimpression.com
In choosing London’s best presentations, Nicholas Hilton reflects on the power of several younger, developing designers, despite the fact that their collections were rooted in nostalgia…
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Backstage at Brandon Maxwell FW19. Photo: Corey Tenold for vogue.com
The only New World fashion capital, New York’s best presentations embodied the diversity, aspiration, and equal opportunity spirit of the American Dream…
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In examining how forcing feminism into fashion, and drowning the reviews of collections with hackneyed statements about the patriarchy is doing us all a disservice, Anabel looks at the best collections in Paris through a more gender-free lens…
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Backstage at Fendi SS19 (Photo: theimpression.com)
Italy’s foremost heritage houses are reinventing themselves in order to translate their values to younger consumers through a subtle infusion of streetwear codes at Fendi, and a reassertion of brand DNA at Prada…
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Backstage at Mary Katrantzou SS19 (Photo: theimpression.com)
Some of London’s strongest showings, including Mary Katrantzou, Roksanda, and Emilia Wickstead, are collectively creating a highly elegant new chapter in the British capital’s fashion history…
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Area SS19 (Photo: theimpression.com)
Candy colors have dominated the NYFW runways so far, reminiscent of the ease of childhood. What do these electrifying hues have to offer?
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Giambattista Valli Fall '18 Couture (photo: theimpression.com)
Could the season’s bold return to beauty signify that we are ready to forgive the industry’s transgressions?
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Valentino Autumn/Winter '18 at Paris Fashion Week (Photo: theimpression.com)
Pierpaolo Piccioli played on our enduring love of fairy tales, Olivier Rousteing won us over with iridescence, and Chitose Abe gave the most accurate portrayal of femininity without meaning to.
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